In recent years, there have been few national cinemas as intriguing and accomplished as South Korean cinema.
Park Chan-wook and Bong Joon-ho, the directors of Oldboy and The Host, are among the world’s finest directors of genre film. While Lee Chang-dong isn’t a genre filmmaker and is not quite the same caliber a director as his South Korean brethren, his latest film, Poetry is the kind of complex, quiet character study that you won’t find in North America.









